Monday, 20 April 2020

Task 3: Network

Part 1: Set up or update your LinkedIn account
https://www.linkedin.com/in/jenny-leece-2a9650174/



Here are the people i have pestered so far
I asked them what sort of things they'd put specifically in a concept art/visual development portfolio I feel like I have all of the basic things like character design and turnaround, backgrounds. But is there anything else I could add or that I should take into consideration. 
I changed what i said slightly for each person then, after contacting  around 8 or so I changed it more so again by asking them for how they got into the industry and do that have any tips for me? In total i must have contacted around 



I have also networked/ collaborated with students from Leeds College of Music. I have them all added on Facebook so that I can continue to keep in touch and network with them, with the potential of working together in the future. 

I also have the dance students that i befriended from my search for a new dancer for extended practise. I have a few of them on Facebook and I have have their emails. If an opportunity arises to collaborate in the future I can contact them easily. 

I also have all of my creative peers added on both LinkedIn and Facebook so I can continue to keep in touch with them after university. 


I went to Manchester Animation Festival for the first time this (academic) year and I got to talk with Shaun the Sheep. He wouldn't give me a job on his farm but he did let me smoosh his head fur. It's all lies its not actual fur! I talked with his director, Will Becher, about what it was like directing/managing such a big production. I gained some useful information that has inspired me on my own projects. 

I was 'fan girling' too much to talk with Michaël Dudok de Wit. I was too shy to even ask a question. I did want to ask him what it was like collaborating with Isao Takahata, and how he dealt with that kind of pressure, and what were some of the things he did to cope.  I would have found this conversation useful if I'd have had the confidence to ask these questions. 

I also said hi to Terry from The Animation Workshop; we spoke for a while about traditional animation and I told her about why I couldn't work with watercolour animation for my final film (it was too expensive).

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